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“A legend has passed away, and his legendary work was exhibited at his funeral. brings to you the first glance of his amazing work shown at his funeral online.”

R.I.P Kofi Ansah

The burial ceremony and Exhibition of his Work

Kofi Ansah

“Known as the enfant terrible of Ghanaian fashion, designer Kofi Ansah propelled Ghana on to the catwalks of haute couture. Journalist Elizabeth Ohene looks back at the career of the man who died earlier this month aged 62 and whose funeral is being held on Friday followed by a fashion show in the forecourt of State House in the capital, Accra.

Going to a Kofi Ansah fashion show has always been an exhilarating and exhaustive experience.

“Without clothes, we cannot play our parts,” he once said.

“I am not in the beauty business, I am in the bringing happiness business”

Kofi Ansah
A true pace-setter and innovative designer, Ansah always insisted his clothes must always tell a story.

And what stories he told with his clothes and how elegantly he told them.

I recall his response when I suggested he was in the beauty industry.

“No, I am not in the beauty business, I am in the bringing happiness business,” he assured me.

He would say there was nothing more satisfying than making clothes that make people look and feel good about themselves.

A model presents a creation by designer Kofi Ansah, during the Festival for African Fashion and Arts fashion show in April 2009 in Nairobi, Kenya
Kofi Ansah used richly textured and boldly coloured local fabrics
“When someone tries on something you have created and she or he turns to look in the mirror, and bursts out in smiles, you know you have hit a bull’s eye.”

Royal commission
He first made headlines on his graduation from the Chelsea School of Art in London and received the ultimate endorsement when he made a beaded top for Princess Anne.

Born in 1951 into an artistic family, he believed he inherited his creative talents from his parents.

His father, who was a photographer and classical musician, encouraged him to pursue his interest in art and design.

After graduating in 1979 with First class honours in fashion design and distinction in design technology, he started work in London and was soon making waves in the UK fashion scene.

But in 1992, he came home to Ghana, where he was to make an even greater splash.

His designs at first shocked Ghana’s fashion industry in the 1990s. I was living outside Ghana at the time and a friend of mine had something made for me, sending it with the caveat: “Hope you will have the courage to wear it.”

This was my first Kofi Ansah piece of clothing. It was an indigo skirt and top. The top was dramatic, with deep green patches and sleeves that can only be described as “interesting”.

Of course I wore it and it was a “wow-item” in my wardrobe for years.

He soon changed the face of the Ghanaian fashion landscape and set about to blend the richly textured and boldly coloured local fabrics into fashion collections that have attracted a strong customer following in both Ghana and abroad.

He loved fabrics and took a special joy in making distinctive items of clothing.

He loved rich colours and for a while indigo was like his trademark.

He was irreverent, had flair, a meticulous eye for detail and an unsurpassed passion for his art.

He claimed that no two shirts he ever made were the same. BBC has the full story

Ladybrille Magazine

Founded in 2007, Ladybrille® Magazine is a California based pioneer digital publication demystifying the image of Africans in the west through contemporary African fashion and celebrating the brilliant woman in business and leadership, with an emphasis on the African woman in the diaspora. Our coverage includes stories on capital, access to markets, expertise, hiring and retention, sales, marketing, and promotions.

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